Hack, Steal, Swipe, and Other Modern Courtesies.

It’s the Language of Plunder, and it’s all the rage I’m talking about today.

Every so often, my thoughts drift toward the strange new definitions floating around in the modern lexicon.  It’s those little word fads that flare up, spread everywhere, and then vanish the moment a shinier bit of slang arrives.  A word fad, as I see it, is a piece of language used mindlessly, repeated without understanding, and destined for the linguistic landfill as soon as the next trend rolls in.

One of the most abused is hack.  We now have hair hacks, cooking hacks, travel hacks, security hacks, hacks for everything under the sun.   The word is slapped onto any tip, trick, or mildly useful suggestion.  Yet its true definitions include “gaining unauthorized access” and “cutting with heavy blows.”  Neither definition suggests something gentle, clever, or admirable.  Hack!

But instead of offering tips such as hair tips, security tips, cooking tips, we hack, hack, hack.  Take unauthorized access.  Grab and run.  Rip off.  Steal.

Which brings me to another disturbing phrase I hear far too often: “I’m going to steal that idea!”

Usually, it’s said when someone supposedly admires another person’s décor, recipe, style, or skill.  Once upon a time, we might have simply complimented the person.  We might even (brace yourself) have asked permission to borrow the idea.  However, courtesy is apparently passé these days.  Why ask when you can proudly announce your intention to steal from that person?

Why, indeed?  Hands up!  Hand it over!

So now everything is framed as theft: steal, swipe, take, hack.  Even admiration is expressed in The Language of Plunder.

It’s a small thing, perhaps, however, small things shape habits, and habits shape culture.  When our everyday speech defaults to the vocabulary of taking, it’s no wonder the world feels increasingly coarse, transactional, and grabby.

And yet, here we are.  This is the way of things now.

In the end, these little phrases are not harmless quirks of speech; they reveal how casually we treat one another.  When the language of theft becomes the language of admiration, something in our cultural posture shifts away from gratitude, away from courtesy, away from the simple dignity of asking.  Words shape habits, and habits shape the world we build together.  If we want a gentler world, perhaps we begin by speaking as though one is still possible.

 

Illusion and Theater.

I try, as a matter of personal discipline, not to immerse myself in the daily torrent of headlines.  The modern news cycle is a relentless machine—loud, urgent, and yet, it’s strangely empty.  Nevertheless, every so often, despite my best intentions, a headline catches my eye, and I allow myself to get sucked in.  It pulls me in, not because I trust it, but because I’m curious about what new Oscar-worthy performance is unfolding on the world’s stage.

What I notice, repeatedly, is that what passes for “news” rarely resembles anything real.  It feels crafted, curated, sculpted, and arranged with theatrical precision.  The stories are presented as truth, but the tone is too polished, the timing too convenient, the narrative too tidy.  It’s as though we’re being handed a script rather than a window into reality.

And beneath that obvious script lies a deeper question: What is actually happening behind the scenes?

To explore that question, we must look at the four forces shaping our perception: illusion, distraction, power, and the quiet, stubborn search for truth.

I. Illusion is the first layer—the iridescent surface that makes everything appear coherent and trustworthy. We grow up believing that the world is presented to us honestly. School textbooks, official statements, historical accounts— they all arrive with the authority of certitude.  We memorize dates, names, and events as though they are fixed points in time and that’s all that matters.

But the passing of years and paying close attention has a way of peeling back the veneer.  The more we learn, the more we realize how much of our education was simplified, sanitized, or strategically framed.  History is not a neutral record; it is a purposely fashioned narrative.  Once you recognize that, the illusion begins to crack.

The news, too, operates on illusion.  It offers the appearance of transparency while carefully shaping what we see and how we interpret it.  The lighting is perfect, the talking points rehearsed, the outrage calibrated just so.  It is a performance designed to feel spontaneous and honest.

Illusion is powerful because it is comforting.  It gives us the sense that the world is orderly, that someone is in control, that events follow a predictable script.  But comfort is not the same as truth.

II. Distraction is the orchestra, if illusion is the stagecraft. The modern world is engineered for distraction. Headlines flash, notifications ping, commentary multiplies.  Every story is framed as urgent, every disagreement amplified, every trivial event inflated into a crisis.  We, as the audience, are encouraged to react, not reflect.  Distraction keeps us busy.  It keeps us emotional.  It keeps us from asking deeper questions.  It’s not that the stories are always false; it’s that they are strategically incomplete.  They direct our attention toward the sensational and away from the structural.  They keep us fixated on personalities instead of systems, scandals instead of patterns, noise instead of meaning.

Distraction is not accidental.  It is a tool of control.  A distracted public is a manageable public—too overwhelmed to notice what truly matters.

III. Behind illusion and distraction lies the engine that drives them: power.  Power prefers the shadows.  It prefers complexity, secrecy, and silence.  It prefers a public that is too divided, too exhausted, or too entertained to scrutinize its actions.

The real story of any era is not the headlines; it is the decisions made quietly, behind closed doors, by people whose names we rarely hear.  The world is shaped not by the performances we watch, but by the negotiations, alliances, and calculations that happen backstage.

We were taught in our schools that power is straightforward: governments govern, leaders lead, institutions protect the public good.  But the older we get, the more we see how naïve it was believing those views.  Power is rarely transparent.  It is rarely benevolent.  And it is almost never accountable unless it’s forced to be.

Subsequently, we are left with the unsettling question: What are the kings doing—and what are they hiding?  The answer is not handed to us, so we must seek it ourselves.

IV. Truth becomes a personal responsibility in a world of illusion, distraction, and hidden power.  Truth must be pursued.  It requires discernment, patience, and a willingness to question the narratives we were raised to accept.  It requires stepping back from the clamor long enough to see the patterns beneath it.  It requires humility; the recognition that certainty is often a trap.

But the search for truth is also liberating.  When illusion cracks, clarity emerges.  When distraction loses its grip, attention sharpens.  When power is questioned, accountability becomes possible.  And perhaps this is the quiet rebellion available to each of us: to stop being extras in someone else’s production and instead become vocal observers; aware and unwilling to be fooled.

All the world is a stage… but we do not have to play the part we are assigned.

 

Live Well and Worthily.

Life is short, and it is meant to be lived well.  Wouldn’t you rather pour your energy into living it with virtue, steadiness, and joy than spend your days wrestling with every distraction that tries to muddle it?

Life is much too short to . . .

. . . waste time.

. . . not read the Bible.

. . . read tasteless books/magazines.

. . . be subjected to vulgar language.

. . . be exposed to disparaging gossip.

. . . argue with strangers on the Internet.

. . . be around people with no sense of humor.

. . . be around combative and negative people.

. . . watch a program that turns out to be vapid.

. . . listen to the “news” when there isn’t any news.

. . . not crack open a book written by or about a saint.

. . . be entertained by raunchy “entertainers” and “artists.”

. . . put up with the rat-a-tat-tat of unimportant intrusions.

Life— wouldn’t you rather live it well and virtuous than fight what’s interfering with it?

 

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