Number 7G.

A strange occurrence happened at the Cypress Row Condominiums many years ago.

One early morning, as Varina Pembroke-Sinclair stepped out of her condominium and into the hallway, an odd odor caught her nose.  She couldn’t quite identify it, for it was the most unusual and jarring odor she ever smelled in the hallway, and that was saying something at Cypress Row!  Sure, Miss Varina had a talent that proved she could pinpoint any of her neighbor’s aromas emanated from their condominiums, from the pot of oxtail soup simmering to the sharp tang of a newly opened crock pot filled to the brim with kimchee, and even the West Coast vineyard of a just-uncorked pinot noir.  But yet, this stench in the hallway was something else altogether.

Varina shrugged her shoulders, put the key in her lock, secured it, and headed down the hall to the elevator.

As she approached the elevator, the dank funk became a distinctive fusty skunk-like stench.  She turned her nose up into the air and gave a deep sniff.  It came from Number 7G, the closest condominium around the corner from the elevator.  The pungent odor clung to the air like an unwelcomed visitor.  Varina wrinkled her nose as she pressed the elevator button.  The pungent smell clung to the air like an unwelcome guest.  She again glanced at the door to Number 7G, its chipped paint and crooked lettering giving it an air of neglect.  The family inside had always been a mystery to her; shadowy figures who rarely ventured out, their muffled laughter and occasional arguments seeping through the walls.

The elevator bell chimed twice and the doors slid open.

Varina entered the elevator car.  She thought about 7G.  Not many people really knew the people who lived in 7G, and no one seemed to care enough to try, including Varina.  She couldn’t shake the feeling that there was more to the family than their infamous habits.  Rumors had swirled among the neighbors—whispers of strange visitors at odd hours, packages left at the door that were never retrieved, and the eerie glow of a flickering light that seemed to pulse through the windows late at night.  .  She shrugged her shoulders, took a deep breath, and rode the elevator down in silence.

As she exited the elevator on the ground floor, Varina welcomed the fresh, cool air with no smells, other than the Lysol used by the cleaning lady the evening before.

As Varina walked the five blocks to work, she resolved to uncover the truth.  She wasn’t one for gossip, but something about 7G gnawed at her curiosity.  What secrets were hidden behind that door?  And why did the smell seem to grow stronger over time?

Over the next few weeks, the smell from 7G only grew worse.  It wasn’t just the musty, skunk-like odor anymore.  It now had an acrid edge, as if something was rotting.  Varina couldn’t stand it, yet no one else on the floor seemed to smell it.  Her curiosity turned into unease, then fear, as the stench began to invade her own condominium.

One night, unable to sleep, Varina decided to talk face-to-face with the family in 7G.  She steeled herself, grabbed her keys, and knocked on their door.  The sound echoed through the silent hallway, but there was no answer.  She knocked again, harder this time, the smell making her gag.

The door creaked open.

The apartment was dark.  A dim light bulb on a table flickered in the corner, casting weird shadows on the walls.  Varina stepped inside, calling out tentatively.  The air was oppressive, heavy with the sickly odor, and the silence was deafening.

As she moved further into the apartment, her foot caught on something.  She looked down and gasped.  Strewn across the floor were piles of ashes, remnants of burned paper, clothes, and belongings.  The flickering light came from a makeshift altar, surrounded by melted candles and strange symbols etched into the walls.

And then she saw them.

The family sat on chairs in a circle, motionless.  Their eyes were wide open, staring at nothing, their bodies slumped as if drained of life.  Varina’s scream stuck in her throat as she realized they weren’t breathing.  Whatever had happened in 7G was far beyond anything she could comprehend.

She stumbled backward, fleeing the apartment, and called the police.  When they arrived, the family was gone along with every trace of the altar.  The room was empty, except for a lingering smell and the faint hum of an unseen presence.  Varina thought she lost her mind.  So did the police, and they left, laughing.

For weeks afterward, Varina couldn’t sleep.  The police dismissed her story as nonsense, chalking it up to old-fashioned hysteria.  But she knew better.  Something unnatural had taken root in 7G, and she feared it hadn’t left.

In the months that followed, Varina Pembroke-Sinclair carried the memory of 7G like a stone in her pocket; heavy, cold, impossible to ignore.  In time, the building returned to its routines, and the neighbors forgot the brief commotion around 7G.  Yet Varina knew the quiet was only a disguise.  Some nights, long after midnight, a thin ribbon of that same fetid odor would snake beneath her door, as if reminding her that what she witnessed had not ended; only shifted.  The door to 7G remained shut, its crooked numbers unchanged, yet she sometimes heard a soft rustling inside, like chairs being moved or someone rising slowly from a long, unnatural sleep.  And though she told no one, Varina felt certain the family had never truly left.  Something had been awakened in that condominium, something patient, something watchful, and it was only a matter of time before it sought her out and her sanity again at Cypress Row Condominiums.

 

 

 

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The Quiet Edges.

There was once a resident in a condominium I owned, a man so enigmatic that no one ever quite claimed to know him.  He drifted through the halls like a rumor made flesh, and before long he became the quiet talk of the association.  Here’s the story:

He kept to himself, and barely anyone knew his name.  It was said that Alonzo’s jet black, laid down styled hair shone so bright it might have lit up all of Sage Pointe.  His hair was a shimmering emblem of confidence and unspoken connection.

“Alonzo,” those who knew his name would say, “He got the thickest, the baddest, the most outta-sight edges this side of Sage Pointe.”

“Alonzo?  Ain’t he the one with the black patent leather hair?”

“Shiny and bright, that Alonzo is.”

I know that Alonzo’s secret was SoftSheen Dark and Natural in “Jet Black.”  I’ve seen the box he threw out in the recycling bin.  His “secret” might have looked unnatural as vinyl patent leather shoes, but he had not one grey hair on his head.  It was a one-tone black from the back of his head to the slicked down edges in the front, from sideburn to sideburn.

As time passed, Alonzo’s hair became more than just a spectacle; it turned into a beacon of curiosity and a source of fascination at Sage Pointe.  People were in awe about him at the monthly condominium association meetings – the few times he bothered to show up.  They marveled at him in the church, drooled at him in the grocery store line, admired him at the barbershop, and speculated about his unknown secrets at the local diner.  Yet Alonzo carried on, keeping to himself, his glossy raven hair unfaltering, like a strange moon in its perennial glow.

But one summer evening, at the annual Sage Pointe party, Alonzo broke his silence.  He sauntered onto the wooden dance floor at the activity center with his head held high, dressed sharp as a razor in a cream‑colored linen suit that caught the breeze just so, a narrow burgundy tie tucked neatly against a crisp pale yellow shirt, and red shoes polished to a mirror shine.  The flashing dance lights cast dazzling reflections off both his raven‑black hair and the blinding shine of his shoes.  Eight gold rings gleamed on his fingers — thick, heavy bands with diamonds, emeralds, and garnets that flashed each time his hands cut through the air, catching the lights as surely as his raven‑black hair.  He moved with an easy, unhurried confidence, swaying to the beat of funk music like he had been born for that moment.

Earlier that evening, I watched as he stood off to the side of the party room sampling the appetizers— deviled eggs dusted with paprika, tiny ham biscuits, and those colorful cellophane-tipped toothpicks that skewered a variety of cheese cubes that squeaked when you bit into them.  He washed it all down with two strawberry daiquiris so cold that the condensation rolled down the red plastic Solo® cup like sweat on a July window.  He sipped them slow, savoring each icy, syrup‑sweet mouthful as though it were part of some private ritual that he wanted no one else to be a part of.

I watched him in awe along with the crowd and laughed when Alonzo pulled a small group of kids into his groove.  “It’s all in the soul, you crumb crunchers!  Dance like your hair shines brighter than the stars,” he declared, a wide smile breaking through his elusive façade.  That night, he wasn’t the enigma they had speculated about.  He was the rhythm, the light, the joy.

That is what everyone wanted to believe.

By the time the party was over, it was said that Alonzo’s edges shone so bright it might have lit up all of Sage Pointe.  After the party, although he disappeared into the quiet mystery of his condominium once again, his name would be remembered as the man who brought the condominium association an evening they would never forget.

But in the weeks and months that followed, people began to notice something strange: no one saw Alonzo at church, or in the grocery line, or even passing by the barbershop window.  His apartment blinds stayed drawn, his mailbox appeared untouched.  Some said he’d moved away; others whispered he’d simply slipped into the night the way he’d always lived— quietly, without explanation.  His silver car would be in his parking spot, and sometimes not.  His monthly assessments still were paid in full and on time.  But no one actually saw him.

Now on certain humid evenings, when the streetlights flicker and the cicadas fall silent, a few swear they’ve seen a glint, just a brief flash, like moonlight on patent leather, disappearing around the corner before they can call his name.  And in Sage Pointe, that is enough to keep the legend alive.

In time, the condominium association learned to stop asking where Alonzo had gone.  Life in Sage Pointe moved on, as it always does, yet something in the air felt slightly altered, as though a faint shimmer had been left behind.  The wooden dance floor where he’d once spun the children around seemed to hold a deeper polish, catching the light in ways no one could quite explain.  And every so often, when the dusk settled low and the streetlamps hummed to life, someone would pause mid‑stride, certain they’d caught the scent of pomade or felt the whisper of a beat only Alonzo could hear.  Whether he had slipped away to some quieter corner of the world or simply stepped into the shadows he’d always belonged to, no one could say.  But the memory of that night, and the man whose hair shone like a secret, lingered in Sage Pointe like a story half‑told, waiting forever for the rest of its truth to surface.

 

 

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Cutting the Mustard.

A Lesson in Gluttony and Control.

Finally, there is only French’s® yellow and Gulden’s® brown on my pantry shelf.

Once upon a time, that space was also shared – packed, in fact – with small jars holding other variations: champagne, chipotle, curry, honey, jalapeno, siracha, Dijon, . . .

Then, one day, I said aloud, “That’s it!  No more of these yuppified wannabees!”

And Lo!  The clouds parted and the sun came out.  Best Friend assented my exclamation with a “Hear!  Hear!”

We do like mustard.  It was easy to pick up a small jar of something a little different when we stopped by our local winery.  What’s a two-ounce jar of champagne honey mustard?  It didn’t take up much refrigerator shelf space along with the other six or seven two-ounce jars.

Yet, that one day, I had enough.  Those “specialty” mustards began tasting pretty much alike.  There wasn’t anything special about them anymore, except perhaps their unusually shaped jars that really had no further purpose for me after the last bit of mustard was scraped from the sides.

I was throwing money out the proverbial window.  And for what?  To feel like we were indulging in something special or upper class?

Pfffft.  It was a waste.  We said right then and there that those types of mustards won’t darken our doors again.  From then on, it will be a bottle of yellow, a bottle of brown, and a jar of Dijon.  That’s all!  No more yuppy mustard, as we call it.  No more fancy-this and fancy-that.

Along the same lines, in fact, the equivalent goes for fancy horseradish – I have a bottle of siracha horseradish that I bought a few weeks ago from a mom-and-pop grocery store in a neighboring town.  Is it anything special?  No, not really.  It’s really not what I expected; it’s not any hotter or spicier than regular horseradish, and it has a strange, sweet background taste to it.  I could kick myself for not reading the ingredients list better, because this bottle of weirdness has corn syrup in it.  (We’re cutting out corn syrup from our diet).  So, if I want the kick that siracha gives to my bowl of pho or broiled chicken or vegetable stir fry, I can get the siracha bottle from the refrigerator and squeeze a shot or two on my plate.  If I want horseradish, I can make my own fresh or buy a jar of straight horseradish.  I don’t need an odd yuppie horseradish-siracha concoction. Keeping it simple, silly!

So, we’re cutting the mustard.  We’re keeping it unpretentious.  Now on the refrigerator shelf sits a container of yellow, a bottle of brown, and there is a space for Dijon because I need that specifically for making Steak Diane.  Otherwise, any other types of strange mustards will remain on the store and winery shelves, available for other shoppers and connoisseurs to fill up their refrigerators and sate their taste buds with frou-frou table mustards.

It’s minimalism for us now.

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Hack, Steal, Swipe, and Other Modern Courtesies.

It’s the Language of Plunder, and it’s all the rage I’m talking about today.

Every so often, my thoughts drift toward the strange new definitions floating around in the modern lexicon.  It’s those little word fads that flare up, spread everywhere, and then vanish the moment a shinier bit of slang arrives.  A word fad, as I see it, is a piece of language used mindlessly, repeated without understanding, and destined for the linguistic landfill as soon as the next trend rolls in.

One of the most abused is hack.  We now have hair hacks, cooking hacks, travel hacks, security hacks, hacks for everything under the sun.   The word is slapped onto any tip, trick, or mildly useful suggestion.  Yet its true definitions include “gaining unauthorized access” and “cutting with heavy blows.”  Neither definition suggests something gentle, clever, or admirable.  Hack!

But instead of offering tips such as hair tips, security tips, cooking tips, we hack, hack, hack.  Take unauthorized access.  Grab and run.  Rip off.  Steal.

Which brings me to another disturbing phrase I hear far too often: “I’m going to steal that idea!”

Usually, it’s said when someone supposedly admires another person’s décor, recipe, style, or skill.  Once upon a time, we might have simply complimented the person.  We might even (brace yourself) have asked permission to borrow the idea.  However, courtesy is apparently passé these days.  Why ask when you can proudly announce your intention to steal from that person?

Why, indeed?  Hands up!  Hand it over!

So now everything is framed as theft: steal, swipe, take, hack.  Even admiration is expressed in The Language of Plunder.

It’s a small thing, perhaps, however, small things shape habits, and habits shape culture.  When our everyday speech defaults to the vocabulary of taking, it’s no wonder the world feels increasingly coarse, transactional, and grabby.

And yet, here we are.  This is the way of things now.

In the end, these little phrases are not harmless quirks of speech; they reveal how casually we treat one another.  When the language of theft becomes the language of admiration, something in our cultural posture shifts away from gratitude, away from courtesy, away from the simple dignity of asking.  Words shape habits, and habits shape the world we build together.  If we want a gentler world, perhaps we begin by speaking as though one is still possible.

 

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When the Hallways Talk.

A short story from the past.

For hours, JeVaughn Willard sat in his recliner, frowning at the sporadic thuds and rolling rumbles echoing through the Sage Pointe Condominium building.  He took another puff of his Kools and listened hard.  The sounds came and went with no discernible pattern, bouncing off the walls and rattling his nerves.  He strained his ears, trying to pinpoint the source, but the building’s acoustics made it maddeningly elusive.  He slid out of his recliner and ambled over to the picture window.  He pushed aside the slats of the Venetian blinds and was glad he was not in the howling thunderstorm.  JeVaughn returned to his recliner.

As the clock struck eight, he took a break from reading his latest mystery novel.  His overflowing garbage bin finally gave him a reason to investigate the noise in the hallway.  He grabbed the bag and shuffled out into the dimly lit hallway, trying to keep his ragged brown corduroy slippers from flying off of his feet.  The carpet muffled his footsteps, but the strange racket had grown louder.  Then, as he rounded a corner, the mystery revealed itself.

Two neighborhood kids, the brood of the Reverand and Mrs. Stankle, were tearing up and down the long corridor, kicking a slightly deflated soccer ball between their feet.

Bam!  The ball slammed against a wall, leaving a faint smudge before careening into the air.

Thud!  The ball rebounded off the ceiling, narrowly missing a flickering light sconce as it came down.

JeVaughn Willard sighed, the corners of his mouth twitching with restrained annoyance.  He trudged to the garbage chute and let the bag drop with a hollow clang, watching it disappear into the void.

“Pointless,” he muttered under his breath, sparing one last glance at the kids.  They laughed and shouted, blissfully unaware of their disruptive echoes.

JeVaughn tightened his terry cloth robe and shuffled back to his door.  “No use mentioning it to their parents,” he thought grimly.  “The reverend’s sermons are loud enough.  I don’t need him aiming one at me!”

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On Winning the Lottery.

I sometimes wonder what I would do if I suddenly won the lottery, not in the frantic, daydreaming way people often imagine, but in a quieter, more interior sense.  What would it reveal about me?  What would it change, and what would it leave untouched?

The answer, I’ve realized, depends less on the amount and more on the person receiving it.  A small windfall would be a pleasant gift for my husband, perhaps a chance to take a trip I’ve dreamed about for years.  But a larger sum such as hundreds of thousands, even millions, in fact, invites deeper reflection.  It asks who I am beneath the surface of daily routines and practical decisions.

If such a blessing ever came my way, my first instinct would be to give.  I would write a check to my parish, trusting that the funds would be used where the need is greatest.  I would finally visit the old country, reconnecting with my family there, and eventually stepping into the pilgrimage sites that shaped my imagination long before adulthood did.  I would sell my current home and settle into a condominium in a quieter corner of the state, close to a traditional Catholic parish where the Latin Mass still rises like the beautifully fragrant incense from another century.

But beyond those changes, I know myself well enough to see what would remain the same.  Wealth would not tempt me into reinvention.  I wouldn’t adopt a grand accent or cultivate airs.  I wouldn’t trade smoked chubbs or oxtails for some curated, fashionable palate.  I wouldn’t suddenly require a staff to manage my life.  I would keep my one car until it sighed its last breath.  I would continue wearing the clothes I already own, cooking the meals I already enjoy, and living with the same simplicity that has always grounded me.  The only indulgence I’d allow is hiring painters for the new place—because some chores lose their charm with age.  I’ve done enough painting and redecorating in my life.

Reflecting on this, I see that my imagined choices with lottery money mirror the choices I already make with my current income.  In fact, our relationship with money is rarely transformed by the number of zeros in our bank account.  Instead, it reveals itself in how we think, what we value, and what we believe we need to feel whole.

Financial psychologists speak of “money personalities”—the Spender, the Skeptic, the Saver-Investor.  These categories are not cages; they are mirrors.  They reflect the habits shaped by our upbringing, our culture, our mistakes, and our growth.  And like all aspects of the self, they can evolve.  A windfall might awaken generosity, anxiety, or discipline.  It might even amplify who we already are or nudge us toward who we hope to become.

In the end, imagining a lottery win is less about money and more about character.  It invites us to ask what we truly desire, what we fear, and what we believe will bring us peace.  For me, the answer is surprisingly simple:  I don’t need more “things.”  I need meaning, connection, beauty, sacrifice, and faith.  And those, thankfully, are not purchased with winnings but cultivated in the quiet choices of my everyday life.

Winning the lottery isn’t reality, but it is a little fun to banter about what I would do with an amount of money I can’t comprehend.  No harm in having some fun with the idea, though.

 

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Merry, Merry Month of May.

May is a marvelous month.  It’s filled with warm days, fresh rains, and new growth.  It teases us with hints of summer.  Oh, sure, the softball-sized magnolias boast their sturdy petals, but at the first strong breeze, the flower petals fall and tumble down the street.  Soon the green leaves will be budding.  The gardenias are resplendent in their soft fragrance, and the jasmine bursts across mailboxes and fences.  Inch worms hang from the trees, green helicopters fall and twist as they fall from the maple trees, other plants bud overnight, and robins hop along in the yards.

May is always a month I eagerly await.  In the ancient days of my childhood, it meant hopping on my bike after school and again after supper, pedaling through the familiar streets of the city where I grew up, mapping out future adventures in my mind as the evenings stretched longer and warmer.

Always, the fresh-smelling rain comes in May.  The air is still cool, so a windbreaker or sweater is the necessary fashion in the early days of the month.  By the end of May, that meant cotton sundresses and seersucker hats would soon become the norm for the next four months.

May smells fresh and new and clean and pure.  May brings the purple and white lilacs that bloom for a few short weeks, enveloping the spring air with perfume.  As kids, my friends and I would pluck blossoms and suck their nectar; or so we thought.  We just wanted to be filled inside with May’s loveliest flower.  But by high school, I dropped the weird ritual and stuck with just breathing in the flowers’ delicate fragrance.

Some cultures consider lilacs to represent strong people.  Some believe it to be the flower of love.  It reminds me of my grandma, because the lilac was her favorite flower, as is mine.

Although I liked the somewhat rare while lilac bushes, I was absolutely enchanted by that purple hue of the blossoms that ran from palest amethyst to deepest royal purple.  For a few years, my sister and I even had our bedroom painted lilac.  On gloomy, sunless days the walls slipped toward grey, but when the sun poured in, the whole room seemed to brighten into pastel purple.  For Easter, in my thirteenth year, I wore a lilac chiffon dress with white polka dots, tiny pleats, and a soft lettuce hem.  My school folders, notebooks, and a Bic® pen I owned boasted purple ink, too.  It was the color that threaded through my days, so constant that I hardly noticed it.

Every place where I lived around the country, lilacs were a reality of springtime.  In fact, I lived in a town once where it seemed that everyone had at least one lilac shrub in their yard.  The entire town smelled of that pretty fragrance for weeks!

May is a special month for me, and when I catch a whiff of that springtime perfume, I can still remember burying my face in a perfumed cloud of lilac blossoms.  The memories will remain enduring, and they will envelop me, as only the most beautiful of spring flowers can do.

In the door-yard fronting an old farm-house, near the white-wash’d palings,
Stands the lilac bush, tall-growing, with heart-shaped leaves of rich green,
With many a pointed blossom, rising, delicate, with the perfume strong I love,
With every leaf a miracle……and from this bush in the door-yard,
With delicate-color’d blossoms, and heart-shaped leaves of rich green,
A sprig, with its flower, I break.

—Walt Whitman, “When Lilacs Last in the Door-yard Bloom’d,” 1865.

 

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Wigged Out.

At dinner the other evening at the country club, we sat at a table at the back of the restaurant, nestled in a cozy alcove dimly lit by a warm, flickering candle in a glass votive.  Our wine glasses of glimmered in the low light.  The clinking of silverware and the soft hum of chatter filled the air, punctuated by bursts of laughter from a boisterous group near the bar.

Across from us, a couple sat at the immediate table opposite ours.  They immediately drew my attention with their striking contrast.  She was a petite, frail-looking woman, her presence almost ephemeral, yet undeniably elegant.  Her baggy, sequined blouse sparkled faintly under the muted light, a deep emerald green that complemented the intricate plastic pearls cascading down her neck.  Her white pants, cut high to mid-calf, were snug and showed off her caboose.  Every gesture of hers was deliberate, placing her napkin, adjusting her sleek clutch, moving her wine glass, as though she were orchestrating a performance of refinement.

Across from her sat the undeniable foil to her practiced image.  He was a large man, his frame spilling over the edges of the overstuffed dining chair.  His attire was an amusing affront to hers: a pair of sagging khaki shorts, socks with sandals, and a faded, nondescript polo shirt, the type that might have been gray once but had since resigned itself to a black, lavender, taupe ambiguity.  His bulbous nose was faintly red, matching the ruddiness of his face.

But the pièce de resistance became the highlight of the evening.   It was his hair.  His hair—or rather, what aspired to be his hair was . . .  “different.”  A Just for Men “Darkest Red Brown” masterpiece of a wig was perched atop his head, so incongruous with the rest of his appearance it felt like a punchline to a joke only he didn’t quite get.  The thick, wavy wig seemed precarious, as if it might slide off at the slightest provocation.  It sat too high, too perfect, too ruddy-brown and defying both gravity and reason.

He leaned back in his chair with an air of self-satisfaction, plucking at a breadstick while his lady friend sipped delicately from a wine glass.  They exchanged sporadic words, her responses curt and his booming laugh echoing through the restaurant, prompting raised eyebrows and glares from nearby diners.

They were a spectacle, a living contradiction, a joke, an editorial cartoon.  The woman seemed to be holding onto a bygone era of sophistication, while the man seemed content to bulldoze through it, unbothered by appearances or subtlety.  Yet, there was something oddly appealing about them with a mystery to unravel, a story hidden beneath the surface of their mismatched personas.

 

 

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Books that Form Us and Deform the World.

First in a Series of My Book Reviews.

 Anyone who knows me knows that I am, at heart, a voracious reader.  Books have been my lifelong weakness and delight.  From the Little Golden Books that we poured over as kids, to my first parochial school library borrowing of A Is for Annabelle by Tasha Tudor, to the day I trudged home from the public library carrying eleven books for the mile‑and‑a‑quarter walk back home— stories and education have always been my companions.  Good books do more than entertain; they shape the soul in ways that are subtle yet profound.  This is the first in a continuing series that highlights books that I have recently read.

Books that I have read so far in 2026:

Toxin by Ouida (1895).

✒️ This short, fast reading story started off strong and ended weak.  All that for an opal necklace, a murder, and a wedding!  The writing style of Ouida (Maria Louise Ramé – 1839-1908) is intelligent, smooth, descriptive, and is peppered with French and Italian phrases.  Other readers might find this story their string of pearls and phial of a deadly toxin, but it wasn’t for me.  What I did learn about Ouida was that she was a contemporary of Oscar Wilde, Wilkie Collins, Robert Browning, et al.

Ole Mammy’s Torment by Annie Fellows Johnston (1897)

✒️ This was an entertaining short story with a lot of great dialect, funny scenes, and believable characters with true dialect in their voices.  The authoress is well-known for writing “The Little Colonel” series, which was made into one movie in 1935 with Shirley Temple.  My goodness!

The Children’s Own Longfellow by Henry Wadsworth Longfellow (1908).

✒️ What a fun book of poetry that I thoroughly enjoyed from cover to cover!  This is an early 20th century collection of Henry Wadsworth Longfellow’s poetry, curated especially for young readers.  Gathering some of his most cherished works, the volume presents Longfellow’s storytelling in a form that is accessible, engaging, and rich with imagination.  The collection includes well-known pieces such as “The Wreck of the Hesperus,” “Evangeline,” “Paul Revere’s Ride,” and selections from “The Song of Hiawatha.”  This was enjoyable.

The Status Civilization by Robert Sheckley (1960)

✒️ This book is a lesson for today.  Will Barrent comes to consciousness aboard a prison transport headed for the planet Omega, his memories erased and his guilt for murder already decided. Omega is a place where the only way to stay alive is to break the law—because the law itself requires wrongdoing. With most newcomers surviving only a few years, Barrent is forced to adapt quickly to this upside down, topsy-turvy society while searching for answers about his own past. His journey eventually returns him to Earth, where he uncovers startling revelations about both planets and the hidden machinery of power that binds them together.

 

Our Lady of Good Studies, pray for us.  O Mary, our hope, have pity on us.

Indulgence of 300 days each time.  – Pope Pius X, January 8, 1906

 

O Mary conceived without sin, pray for us who have recourse to Thee.

Indulgence of 300 days each time.  – Pope Leo XIII, March 15, 1884; S.P. Ap., April 15, 1932.

 

 

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