Category: lessons in pride

Twinkie’s Temper Tremors.

A Lesson in Anger and Envy.

Twinkie Terwilliger had all the charisma of a dirty wet dishrag.  He took offense at anything that didn’t cater to his inflated sense of self-worth.  The moment someone failed to shower him with praise, acknowledge his so-called brilliance, or metaphorically place a sparkly golden trophy in his hand for simply being present, the subsequent scene was inevitable.  He couldn’t stand other people holding the limelight or doing something better than he, and his envy got the better of him.  His fragile-as-glass ego shattered into a million pieces, and therein the theatrics began.

His eyes bulged as if they might pop from their sockets, his face flushed a shade of deep red.  His entire body tremblef uncontrollably, reminiscent of someone in the throes of psychogenic tremors.  To the untrained eye, it might have looked like a medical emergency, but those who knew him understood that it was just another of Twink’s infamous tantrums.

As his voice rose, so did the drama around him.  He just had to be always be right, no matter the subject.  Everyone else was wrong in his mind.  He jabbed a trembling finger toward his supposed offenders, the veins in his neck strained with every shouted word, his bald head turned a bright beet red.  “There you go again!” he bellowed, and his voice cracked as if rehearsing for a poorly performed stage play in the junior high thespian club.  The words echoed sharply and accusatory, and it left his targets unsure whether to laugh, apologize, or simply walk away.

At workplace meetings, his fellow meeting-goers were drawn in by the commotion.  Their expressions were a mix of disbelief and thinly veiled amusement, and many were unable to suppress a smirk or guffaw.  Yes, they had seen this performance before, yet it still left them to marvel at the sheer cheekiness of it all.  Moreover, there was a certain dark humor to watch a grown man who’s sixty years old throw a tantrum that rivaled any spoiled toddler in a toy aisle.  Not a meeting went by where he didn’t scream and shout at perceived insults to him.  He also invariably imagined that he was insulted at every turn, for he had a serious paranoia problem.

When he was back in the neighborhood throwing tantrums, he had a personal crusader.  His father, whom everyone called “Papó,” inevitably stepped forward to be Twink’s personal crusader.  He completed the absurd tableau.  Papó nodded solemnly and would then puff out his chest past his beer belly.  His face wore a forced mask of indignation on behalf of his son.  “He’s just passionate,” Papó explained to the gathering, as though this outburst were some misunderstood acts of controlled brilliance.  He, defending his sixty-year-old child as if he were still a little boy on the playground, being teased for wearing a pink elastic eyeglasses retainer on his head!

The crowd would disperse, with knowing glances exchanged and whispers passed among them.  Meanwhile, Twink stood tall once more and basked in his father’s validation, as if he’s won a moral victory that rivaled Napoleon.  The storm would subside, until the next perceived slight against him stirred it anew with his temper tremors.

 

 

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Fritz-Udolph and the Silver Bolt.

Fritz-Udolph was awakened every night at 3 AM for two months by hard and rhythmic banging noises.  During those two months, he listened to that noise with wide-eyes and clenched fists while he lay in his bed.  He grew angrier by the night.  Finally fed up and disgusted with not knowing where the noise was coming from, he got out of his bed one thunderstormy night.  He slipped into his bright yellow chinoiserie silk robe printed with brown swallows and white magnolias.  He straightened his collar as he looked in the mirror and tied the belt into a sharp bow, slipped into his fur-lined leather slippers and started walking around his apartment.

He switched on the master bathroom light.

“Bang, bang, bang!”

He looked inside the sink cabinet and in the linen closet.  The noise wasn’t coming from anywhere in the master bathroom.  He stood in the bathtub, quietly listening for a long while.  He bit his lower lip and moved quietly to the guest room as his antique cuckoo clock chimed the quarter hour.  Of course, the banging continued.

“Bang, bang, bang!”

He slinked down the hall to the guest room.  The noise wasn’t coming from there, either.  He slid into the guest bathroom, stood in the shower stall and quietly listened.  He vaguely heard the banging but still couldn’t discern its origin.  He cleared his throat and rubbed his bearded chin.

Fritz-Udolph popped his hands into his robe’s pockets and tiptoed to the kitchen.  He flipped the light switch.  A couple of fruit flies from the bowl of ripening bananas flew past his face.  He grabbed a brown banana and ate it in three large bites.  Now the cuckoo clock chimed on the half hour, and there was more banging, this time a little louder and with a different tempo.

“B-bang, b-bang, b-b-bang, bang, bang!”

But the noise was too far away from the kitchen to come from there.  Feeling his face growing hot from anger, he tossed the banana peel into the garbage can and swatted five fruit flies as he closed the garbage can lid.  He marched into the living room.

“B-bang, b-bang, b-b-bang, bang, bang!”

The noise wasn’t coming from the living room, either.  “Strange,” Fritz-Udolph grumbled.  He stuck his head into the front hall closet and pushed aside his woolen capes and coats.

“B-bang, b-bang, b-b-bang!”

“Ah, ho!  There it is!” he exclaimed half-aloud.  “There it is coming from the next door!”  The cuckoo clock chimed on the three-quarter hour.  He rubbed his short grey beard, bit his upper lip and chewed on it for a long while.

“Bang, bang, bang!” the thuds echoed.  “Bang, bang, bang!”

Fritz-Udolph stood in the closet and listened.  “It is from the next door!” he thought.  “I will get the woman for this!”  By the time the cuckoo clock chimed four, the banging suddenly ceased.

“That’s it!” he grunted.  “I will show her, that infernal woman at the next door.  I will put an end to her discourtesy to me.”

The next morning, Fritz-Udolph called the management company and complained about his next-door neighbor.

“I tell you,” Fritz-Udolph shouted in his heavy German Swiss accent.  “You people must; I say MUST! put an end to my neighbor, Ramona, banging at three in the morning.  This has been going on for the two months.  I tell you, it is the hammer she is using.  I will not tolerate it.  I did an engineering study on this in my home country for a secondary school project, and I concluded no one could possibly bang all night long, ‘specially at three in the morning!  It is im-poss-ible!  It is the work of the succubus, that is what she is!  She will not seduce me, that Ramona, according to my proven engineering project!”

On the other end of the phone, the property manager smiled and half-giggled to herself.  She knew Fritz-Udolph didn’t make any sense, he never did, and that was par for the course.  She asked Fritz-Udolph if he had talked to his neighbor, Ramona, about the banging.  It was the better option, she explained, for opening the lines of communication between neighbors helps to foster goodwill.

“No,” he screamed.  “Why should I do that?  It is your job, fräulein!  Your job, not mine!”

The property manager rolled her eyes, took a puff from her joint, and promised she would contact his neighbor, which she did.  Through some investigation, the noisy problem was discovered.  It actually was a loose bolt from the fan that moved the air in the garbage room.  The garbage room was between Fritz-Udolph and Ramona’s apartments.

It turned out that Ramona never heard the noise because she was a heavy sleeper, and she slept wearing headphones.  She much preferred sleeping to the sounds of waterfalls than the noisy mechanics of the building.  Fritz-Udolph, on the other hand, was a light sleeper.  He could hear an ant crossing the grassy yard.

Fritz-Udolph was unfazed when he was told the noise was a fan bolt.  The building superintendent tightened it, and the noise was quelled.  Fritz-Udolph never apologized to Ramona for accusing her of something she didn’t do, nor did he feel remorse.  He was F.U., of course!

Fritz-Udolph’s complaint may have been addressed, but the way he handled it did little to cultivate even the thinnest thread of neighborly benevolence.  He passed Ramona in the hallway with theatrical grunts and mutters, while she, worn out by the whole affair, slipped past him with the quiet skill of someone avoiding a monster.

In the end, the whole episode left Fritz-Udolph with a lesson far quieter than the banging that had tormented him: life among neighbors requires patience that begins not in the hallway but in the heart.  What he mistook for another’s intentional rudeness had been shaped mostly by his own assumptions, his grand conceit, and his own certainty marching ahead of charity.  Yet, he never learned that peace within shared spaces depends on the intelligence to extend goodwill before judgment, to listen before accusing, and to soften the noise within before blaming the noise without.  He continued to accuse Ramona and other neighbors of deliberate peccadillos against him, and he continued to act with a haughtiness that only the most conceited of snobs could assemble.

 

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Not-So-Sweet Tarts, and When No One’s Minding.

A Lesson in Modesty.

In a lot of areas around the country, this weekend marks the opening of public swimming pools, so dig out your floating devices and the skimpiest swimwear you can find.  This story comes from a time when I lived in a condominium with swimming pools, a wading pool, a cedar-lined steam room, and all the inconsiderations you can imagine.

The elevator car came to a stop on the lobby floor.  The doors slid open, and I was ready to step out, until I froze mid-step.  What made me pause were the three young women standing directly in front of me, momentarily blocking my path, dressed in barely-there bikinis and entirely unbothered by their own near‑nakedness in a public hallway.

They were college‑age visitors, laughing and carefree, accompanied by one of the downstairs middle‑aged neighbors who was wrapped in a thick beach robe.  The trio of girls, I found out later, spent the weekend coming and going, and the next day I saw them again, heading down the back stairs toward the pool.  As those sweet tarts walked, their swimsuits shifted and rode up, leaving little to the imagination between the ripples of fat and even less to modesty, by cracky.

There was even a time in the dead heat of summer where it just happened that an older, senior-type crowd was having a get-together under the heat of the blazing sun.  A group of teenage girls in tiny bikinis made their way down the pool’s stairs, smirking and walking slow and seductively right in front and past the men.  The women were at another corner of the pool and appeared not to notice the bru-ha-ha.

Throughout the swimming season, the indoor pool area itself told the rest of the story.  In the corners were mounds of inflatable toys stacked so high they reached halfway up the walls.  Beach balls, float rings, plastic ducks, water pistols, and abandoned gadgets cluttered the water.  More than once, if you wanted to swim, you had to fish out stray and abandoned toys or dive to the bottom to retrieve whatever had been left behind.  Interestingly, the steam room was always left clean and uncluttered.

Yet, it was the renters and short‑term visitors who were the ones who mostly descended upon the pools and hot tub, and that’s where most of the disorder began and remained.  Sure, they enjoyed all of the amenities but had no real stake in the property, so there was little incentive to care for it.  And, truthfully, the same could be said for the owners who hosted these guests or rented out their units.  The result was the same: a shared space treated as disposable simply because it belonged to everyone and therefore, in their minds, to no one.

In the end, what unsettled me was more than the exposed full butt cheeks and almost-to-the-nipples cleavage, or the toys or even the noise, but the casual indifference that trailed behind them all.  A shared space only works when the people passing through it feel some measure of responsibility for what they touch and leave behind.  When they don’t, when visitors treat the place as a weekend playground and owners look the other way, the common areas slowly erode.  And standing there in the elevator doorway, watching another wave of guests drift toward the pool, I realized how quickly a condominium building can lose its hominess when too many people forget or just don’t bother to care for it.

 

 

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The Age of Adonis (Part 3).

Part 3 of 3:  The Middle Distance.

There is a peculiar vantage point one gains simply by living in close proximity to other human beings.  Not close enough to know their secrets, but close enough to witness their habits; their triumphs, their peculiarities, their kindness, their small vanities, their authenticity, and quieter graces.  It is the view from the middle distance, where comedy and clarity often arrive hand‑in‑hand.

From this vantage point, I have watched our neighborhood Adonis swell into his mythic proportions, strutting through the hallways and on the neighborhood sidewalks like a man auditioning for a protein‑powder commercial.  His life is lived in bold, glossy strokes of sweat, swagger, and spectacle.  He found the easy way in life to make a dollar, becoming a grifter front and center on the unholy stage of a community fellowship group, sermonizing under the guise of praises and blessings peppered within his readings of scripture verses found in a distorted Bible.  He is the sort of person who seems to believe that if he flexes hard enough – whether it is flexing by quoting scripture or flexing muscles – the world will mistake it for virtue.  At the same time, he soaks in the adulation and attention as one would with water from the River Jordan.

And then, from the same vantage point, I have watched the quiet ones; the door‑holders, the plant‑waterers, the hallway‑softeners moving through the building with a gentleness that neither asks nor demands anything in return.  Their lives are lived in gentle lowercase letters, steady and unadorned.  They are not trying to be noticed, which is precisely why they are.

Modern life, for all its noise, has a way of revealing character in the smallest of moments.  The man who performs goodness loudly often performs it only for the applause and attention.  The man who waters the begonias when no one is looking is not performing at all.  He is simply and unobtrusively being who he is.

Discernment, I’ve learned, is not about judging people harshly.  It’s about seeing clearly and recognizing the difference between shine and substance, between the man who builds his body like an Old Testament golden monument and the neighbor who quietly builds a life of decency.  Humility, too, is not a grand gesture.  It is the quiet refusal to make oneself the center of every hallway and fellowship stage.  To learn what not to become is one of the great lessons of life.

And what about the comedy of modernity?  It’s everywhere.  It’s in the man who cannot lower his arms because his torso has become a personal billboard.  It’s in the fluorescent lights catching a thousand sequins on Cowgirl Betty’s jacket in the middle of a sunny day.  It’s in the way we all, at one point or another, take ourselves far too seriously.

But the deeper comedy is the one that makes you smile long after the moment has passed.  It is this: the people who most want to be admired rarely are, and the people who never think about admiration often end up holding the whole place together.

In the middle distance, the truth becomes clear.  Strength is not measured in inches of bicep or the girth of one’s chest.  Beauty is not measured in lumens of sparkle.  Virtue, the real kind, is almost always quiet enough to miss if you’re not paying attention.

But once you see it, you start noticing it everywhere.

This is the final chapter of three parts.

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The Age of Adonis (Part 1)

Part 1 of 3:  Reflections on Vanity, Virtue, and the Modern Parade

He was the sort of man who made a living preaching The Word while somehow managing to sidestep most of its demands.  You could see it in the way he carried himself; earnest on the surface, but with a hollowness underneath, like a sermon missing its last page.

When I first met him, he was almost aggressively unremarkable: small, soft around the middle, a crew cut that looked like it had been administered by someone in a hurry, and some type of cologne that would gag a maggot.  He told me he had left the Church and was now preaching at a non‑denominational fellowship down the road.  He quoted Scripture with the enthusiasm of someone who had just discovered the footnotes and wanted everyone to know and be impressed.  Truthfully, it felt less like devotion and more like a performance of mental gymnastics meant to impress.  They didn’t.

In our brief conversations, he mentioned he was a former drug user, now clean, and that he was “still learning” and had “a long way to go” in understanding The Word.  That part, at least, I believed.

But then something shifted.

Slowly, his upper body began to expand.  It was first subtly, then alarmingly.  I would see him at the neighborhood gym, or returning from it, sweat pouring off him in rivulets that perfumed the condominium hallways with a scent that could only be described as fusty.  Other days, I’d spot him leaving Atomic Health Club in town, towels slung over his shoulder, his wet T‑shirt clinging to him like a second skin.  He would leap into his sports car with the flourish of a man starring in his own music video and drive off like a bolt out of the blue.

By summer, the transformation seemed complete.  One afternoon, he and his family walked down the hallway on their way to the swimming pool. “Walked” is generous—he lumbered, unable to lower his arms fully because his torso had grown to mythic proportions.  He wore only baggy shorts (I cannot call them trunks), his thick thighs rubbing together and his calves looking like chicken legs.  It looked like it hurt him to move his legs, and for that moment I felt sorry for him.  His pre‑tween daughter wore a bikini so revealing it made me blink twice in embarrassment.  His wife and son, ironically, were dressed modestly befitting a church picnic.

His upper body had become enormous, his thighs still pronounced, his calves still comically thin.  He reminded me of a Greek statue carved by an artist who ran out of marble halfway through.  It was unsettling, the kind of physique that makes you instinctively step aside in case it topples or explodes.

He strutted through the building with the air of a man fishing for admiration, or perhaps for something more.  Someone once told me that people who leave one addiction often find another to replace the high.  Maybe this was that; maybe it wasn’t.  I’m not his confessor; I can only pray for him.

What I do know is this: the greater his muscles grew, the quieter his preaching rang.  There was a disconnect between the man he proclaimed himself to be and the man he was becoming, between the humility of the Gospel and the vanity of the mirror.

And perhaps that is the real caution of the Age of Adonis: when the body becomes the altar, the soul is left without a place to kneel and worship the one true God.

Part 2 will be published on April 16, 2026.

 

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The Age of Performed Identity.

How much of our lives have we spent trying to be something—or someone—we’re not?  It is one thing to pursue growth, to refine our character, and to enrich our inner life, yet it is quite another to adopt a false identity for the sake of impressing others, whether for money, status, or the fleeting approval of strangers, family, and acquaintances.

Lately, it seems that the art of pretending has become a widespread habit, a kind of cultural contagion.  Over the past decade especially, I’ve watched this phenomenon snowball.  It has become easier and fiendishly tempting to put on a polished façade while abandoning genuineness, humility, and empathy.  Social media, with its curated illusions and endless opportunities for self‑promotion and keyboard commandos, has been the chief purveyor of these false faces.

And how easy it is.

In a world moving at swift speed, the pressure to perform seems to be ceaseless.  Some people feel compelled to reinvent themselves for every audience, to appear more educated, more virtuous, more high class, more enlightened than they truly are.  Some people, unfortunately, strain to become the moral authority in every conversation, to project wisdom they have not earned, and to cloak their insecurity in a thin veil of false humility.  Some people invent and re-invent their live story continuously.

It must be exhausting.  From my vantage point, watching someone puff himself up by preaching from an imaginary pulpit, presenting himself as all‑knowing while sprinkling in counterfeit modesty, or looking down their nose at others, is a disheartening sight.  There is nothing admirable in self‑inflation or pretend self-deflation.  It does not elevate a person; it exposes him.  False humility serves only the ego.  It leaves no room to serve God, despite all their claims of “thanking God everyday” for such-and-such.  It comes across Pharisee-like when you know their true history and that they are putting on a public show.

Putting on an act for selfish gain is, at its core, a fabrication of the truth.  Duplicity demands constant maintenance, and after a while, there is so much maintenance that fabrication becomes sloppier and sloppier.  One must remember every false detail with perfect precision just to keep the fiction intact, and that’s the hard labor one has to do for a hollow reward in the prison of their mind’s fantasy.

It is far better to remember that the one thing you can do better than anyone else is to be yourself.  Of course, one could make the argument that being phony for some people is “being themselves.  Yet there is less work and stress to admit one’s true self and not make up stories to impress an audience.  Or in one case, I have seen one person who has shared his childhood as first “middle class,” then defined it as “not quite middle class,” to the sad Dickensian tale of “being poor.”  Is that the “fake it until you make it” mantra at work, or the pretend “rags to riches” story?  I won’t bother to hazard a guess.  All I can say is I have little regard for counterfeits.

The world does not need more people parroting platitudes or mimicking the latest persona.  It needs more of the original, the sincere, the unvarnished.  Pretending to be someone else is not only dishonest because it is truly a quiet betrayal of your own dignity.

As we step into another day, we should do so with sober eyes and clear hearts.  Remember who you really are beneath the noise and the pressure, and do not compromise that reality.  Be honest, be considerate, and be grounded in your principles.  Respect yourself and extend that respect to others.

 

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The Profit That Destroys.

The question, “For what shall it profit a man, if he gain the whole world and suffer the loss of his soul?” cuts to the heart of a tension that every era rediscovers: the difference between a life that looks impressive and a life that is actually worth living.  We are surrounded by metrics — influence, fame, money, reputation, achievement, status — that promise satisfaction but often deliver only more insatiable hunger.  The question forces us to confront a truth we instinctively know: a person can win by every external measure and still feel hollow inside, a dried-up husk of a person.

Modern culture is skilled at rewarding the wrong things.  It celebrates accumulation, visibility, and speed.  It teaches us to optimize our schedules, polish our image, and chase the next milestone.  None of these pursuits are inherently harmful, but they become dangerous when they eclipse the quieter, more essential work of becoming a whole human being.  A person can spend decades climbing a ladder only to discover it was leaning against the wrong wall.

Losing oneself rarely happens in a dramatic collapse. More often, it happens gradually, when convenience replaces integrity, when ambition overrides relationships, when the greedy pursuit of More! More! More! crowds out the pursuit of meaning.  The world applauds these compromises; our inner life does not.  The cost is subtle but real: a thinning of character, a shrinking of joy, a sense that life is happening faster than we can live it.

To gain the world is easy.  It requires only that we follow the current cultural expectation.  To keep oneself intact is harder.  It demands reflection, boundaries, and the courage to choose depth over display, but only one of these paths leads to a life that feels like one’s own.

In the end, the question remains a challenge to every generation: what good is success if it costs you the very person you were meant to become?  The world offers many rewards, but none of them are worth the loss of yourself and your eternal spirit.

 

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