Tag: the world is a stage

Loose Trash and Looser Rules.

When I lived at the Sage Pointe Condominiums, the truth was simple: there were no real rules.  The Declaration contained only a handful of vague guidelines, none of which carried penalties, financial or otherwise.  In practice, nothing had any teeth; no bite.

What we did have was the Infractions Team, a small group of older ladies who enforced whatever they personally disliked.  If something offended their sensibilities, it instantly became a “rule,” and the offending neighbor was told to cease and desist.  Their grievances ranged from the trivial to the absurd, such as declaring certain bumper stickers on residents’ cars to be violations simply because the messages clashed with their unholy beliefs.  Those errant residents were then threatened with legal action.

Meanwhile, these same enforcers stored their own holiday decorations, bicycles, and medical equipment in the common-area closets with complete impunity. They walked their dogs off the leash.  They grilled pork chops on their balconies with open flames.  They filled staircases with their potted plants.  No reprimands.  No consequences.  No surprise.  It was the classic Rules for Thee and Not for Me dynamic, and everyone knew it.

One of the few written directives concerned garbage disposal.  For years, printed signs were taped to the garbage-room doors in the underground garage.  They instructed residents to place all trash in securely tied plastic bags and to dispose of furniture and large items privately, never in the dumpsters.

As the buildings filled with more residents (there was an ebb and flow with the population), the dumpsters began overflowing just two days after pickup.  At a homeowners’ association meeting, a member of the Care and Upkeep Team scolded the community for tossing unbagged trash and furniture into the dumpsters.  The remarks were recorded in the official minutes.

A couple of weeks later, I went down to throw out my own securely bagged garbage.  I glanced into the dumpster, and there it was.  A mountain of loose junk: files, hanging folders, workbooks, an American flag, Navy memorabilia, and other unbagged débris.  Because the book titles were visible, it was unmistakably the personal clutter of the very same Care and Upkeep Team member who had lectured everyone else about dumping unbagged garbage!

It was a perfect illustration of the deleterious culture at Sage Pointe: rules for thee and not for me.  Others were expected to follow the posted guidelines.  Certain individuals, however, exempted themselves entirely.

They were special!

 

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Not-So-Sweet Tarts, and When No One’s Minding.

A Lesson in Modesty.

In a lot of areas around the country, this weekend marks the opening of public swimming pools, so dig out your floating devices and the skimpiest swimwear you can find.  This story comes from a time when I lived in a condominium with swimming pools, a wading pool, a cedar-lined steam room, and all the inconsiderations you can imagine.

The elevator car came to a stop on the lobby floor.  The doors slid open, and I was ready to step out, until I froze mid-step.  What made me pause were the three young women standing directly in front of me, momentarily blocking my path, dressed in barely-there bikinis and entirely unbothered by their own near‑nakedness in a public hallway.

They were college‑age visitors, laughing and carefree, accompanied by one of the downstairs middle‑aged neighbors who was wrapped in a thick beach robe.  The trio of girls, I found out later, spent the weekend coming and going, and the next day I saw them again, heading down the back stairs toward the pool.  As those sweet tarts walked, their swimsuits shifted and rode up, leaving little to the imagination between the ripples of fat and even less to modesty, by cracky.

There was even a time in the dead heat of summer where it just happened that an older, senior-type crowd was having a get-together under the heat of the blazing sun.  A group of teenage girls in tiny bikinis made their way down the pool’s stairs, smirking and walking slow and seductively right in front and past the men.  The women were at another corner of the pool and appeared not to notice the bru-ha-ha.

Throughout the swimming season, the indoor pool area itself told the rest of the story.  In the corners were mounds of inflatable toys stacked so high they reached halfway up the walls.  Beach balls, float rings, plastic ducks, water pistols, and abandoned gadgets cluttered the water.  More than once, if you wanted to swim, you had to fish out stray and abandoned toys or dive to the bottom to retrieve whatever had been left behind.  Interestingly, the steam room was always left clean and uncluttered.

Yet, it was the renters and short‑term visitors who were the ones who mostly descended upon the pools and hot tub, and that’s where most of the disorder began and remained.  Sure, they enjoyed all of the amenities but had no real stake in the property, so there was little incentive to care for it.  And, truthfully, the same could be said for the owners who hosted these guests or rented out their units.  The result was the same: a shared space treated as disposable simply because it belonged to everyone and therefore, in their minds, to no one.

In the end, what unsettled me was more than the exposed full butt cheeks and almost-to-the-nipples cleavage, or the toys or even the noise, but the casual indifference that trailed behind them all.  A shared space only works when the people passing through it feel some measure of responsibility for what they touch and leave behind.  When they don’t, when visitors treat the place as a weekend playground and owners look the other way, the common areas slowly erode.  And standing there in the elevator doorway, watching another wave of guests drift toward the pool, I realized how quickly a condominium building can lose its hominess when too many people forget or just don’t bother to care for it.

 

 

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Don’t Fool Yourself, Too.

A Lesson in Phony Presentations.

How much of our time have we spent striving to be something or someone we’re not?  It’s one thing to make changes to improve and enrich us, yet it’s quite another matter to be something or somebody that we aren’t with the deceptive purpose of impressing people for some type of personal gain, whether it is monetary or societal status or just plain impress everyone else.

From my observations, it’s an obvious and widespread phenomenon, this pretentiousness that pervades society today, and it appears to be snowballing and careening out of control with each passing year.  Specifically, I have seen throughout the past decade that it’s easier, and even devilishly tempting, to put on a false front and eschew genuineness, humility, and empathy.  I assert that social media led the way to be a purveyor of temptations and false faces.

How easy it is!

You see, as we move through the world at such a rapid pace as we do in our modern twenty-first century world, there is pressure from peers and perceived adversaries, which tempts some of us to try mightily to be someone else.  People with those sorts of leanings invariably make attempts to impress the other guy, to portray themselves as to render themselves as the moral voice of reason and righteousness, as highly educated, and to put forth false humility.

I imagine that it is truly an exhausting and laborious struggle to be someone you’re not.  From my spot at the window looking out at the world, when I see someone puff himself up or preach from his pulpit as the all-knowing and all-seeing entity, and then toss in false humility, it becomes a foul scene.  There is nothing endearing nor impressive about someone who puffs himself up just to make himself feel better about himself or even show up someone else.  False humility serves Man; it removes the ability to serve God.

The whole thing of putting on an act for selfish purpose is fabricating the truth.  Duplicity is hard work; there are the falsehoods one must remember with excruciating perfection to keep the fiction straight.

It is better to remember that what you can do better than anyone else is to be yourself.  The world doesn’t need more of everyone else parroting platitudes and mimicking others.

It needs more of the original, real, and true you.  Putting on false airs is also lying to yourself.

As we get ready to begin another day, another week, or another year, do it with sober eyes and clear hearts.  Let’s remember who we really are deep down inside.  Do not compromise or relent on that truth.  Hold on to it at all costs and carry it into your world.  Be yourself, be honest, be considerate, for there is no one better at it than you.  Know who you are and stick to your principles in a humble and moral manner.  Have respect for yourself and others, too.

Don’t fool yourself.  It’s not honest, but a lie.

 

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Cutting Cardboard.

We had just ordered our meal, when a party of four was seated two tables from us.

Grind.  Grind.  Grind.

“Where is that sound coming from?” I asked Best Friend as he sipped his drink.  “It sounds like somebody cutting corrugated cardboard with a serrated bread knife.”

“What’s that?”

“I hear someone cutting corrugated cardboard with a serrated bread knife.  It’s that specific of a sound.  Listen.”

Grind.  Grind.  Grind.

“It’s the dog,” Best Friend nonchalantly quipped as he put down his drink.

“Whoa!” I whispered.  I leaned over a little bit to the left and looked past Best Friend’s shoulder.  Sure enough, at the table where the party of four sat, was a Yorkie on the man’s lap, chewing on food from the man’s plate and making a sound like somebody cutting corrugated cardboard with a serrated bread knife.  Then I witnessed the man put down one of those doggie pads on the floor and set the Yorkie on it, whereby Yorkie promptly did his business.  Everyone else at that table was oblivious and didn’t bat an eye.

Ewwww.

I am not a fan of dogs or any sort of animals in restaurants and stores.  I find it dirty, and it puts the question of health codes out there.  Service dogs are okay, but not “emotional service” or those “just because I can’t live two minutes without Fluffy” animals inside stores and especially restaurants.  Bleh.

One of the grocery store chains in our area put a stop to people bringing dogs or any animals into their stores, except for service animals.  I agree with that.  And, please, no dogs in grocery carts.  I saw that exact thing at one grocery store a couple years ago.  Where have those rear ends been?  I never saw anyone wash those grocery carts, either.

It’s so gross!

 

 

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The Quiet Edges.

There was once a resident in a condominium I owned, a man so enigmatic that no one ever quite claimed to know him.  He drifted through the halls like a rumor made flesh, and before long he became the quiet talk of the association.  Here’s the story:

He kept to himself, and barely anyone knew his name.  It was said that Alonzo’s jet black, laid down styled hair shone so bright it might have lit up all of Sage Pointe.  His hair was a shimmering emblem of confidence and unspoken connection.

“Alonzo,” those who knew his name would say, “He got the thickest, the baddest, the most outta-sight edges this side of Sage Pointe.”

“Alonzo?  Ain’t he the one with the black patent leather hair?”

“Shiny and bright, that Alonzo is.”

I know that Alonzo’s secret was SoftSheen Dark and Natural in “Jet Black.”  I’ve seen the box he threw out in the recycling bin.  His “secret” might have looked unnatural as vinyl patent leather shoes, but he had not one grey hair on his head.  It was a one-tone black from the back of his head to the slicked down edges in the front, from sideburn to sideburn.

As time passed, Alonzo’s hair became more than just a spectacle; it turned into a beacon of curiosity and a source of fascination at Sage Pointe.  People were in awe about him at the monthly condominium association meetings – the few times he bothered to show up.  They marveled at him in the church, drooled at him in the grocery store line, admired him at the barbershop, and speculated about his unknown secrets at the local diner.  Yet Alonzo carried on, keeping to himself, his glossy raven hair unfaltering, like a strange moon in its perennial glow.

But one summer evening, at the annual Sage Pointe party, Alonzo broke his silence.  He sauntered onto the wooden dance floor at the activity center with his head held high, dressed sharp as a razor in a cream‑colored linen suit that caught the breeze just so, a narrow burgundy tie tucked neatly against a crisp pale yellow shirt, and red shoes polished to a mirror shine.  The flashing dance lights cast dazzling reflections off both his raven‑black hair and the blinding shine of his shoes.  Eight gold rings gleamed on his fingers — thick, heavy bands with diamonds, emeralds, and garnets that flashed each time his hands cut through the air, catching the lights as surely as his raven‑black hair.  He moved with an easy, unhurried confidence, swaying to the beat of funk music like he had been born for that moment.

Earlier that evening, I watched as he stood off to the side of the party room sampling the appetizers— deviled eggs dusted with paprika, tiny ham biscuits, and those colorful cellophane-tipped toothpicks that skewered a variety of cheese cubes that squeaked when you bit into them.  He washed it all down with two strawberry daiquiris so cold that the condensation rolled down the red plastic Solo® cup like sweat on a July window.  He sipped them slow, savoring each icy, syrup‑sweet mouthful as though it were part of some private ritual that he wanted no one else to be a part of.

I watched him in awe along with the crowd and laughed when Alonzo pulled a small group of kids into his groove.  “It’s all in the soul, you crumb crunchers!  Dance like your hair shines brighter than the stars,” he declared, a wide smile breaking through his elusive façade.  That night, he wasn’t the enigma they had speculated about.  He was the rhythm, the light, the joy.

That is what everyone wanted to believe.

By the time the party was over, it was said that Alonzo’s edges shone so bright it might have lit up all of Sage Pointe.  After the party, although he disappeared into the quiet mystery of his condominium once again, his name would be remembered as the man who brought the condominium association an evening they would never forget.

But in the weeks and months that followed, people began to notice something strange: no one saw Alonzo at church, or in the grocery line, or even passing by the barbershop window.  His apartment blinds stayed drawn, his mailbox appeared untouched.  Some said he’d moved away; others whispered he’d simply slipped into the night the way he’d always lived— quietly, without explanation.  His silver car would be in his parking spot, and sometimes not.  His monthly assessments still were paid in full and on time.  But no one actually saw him.

Now on certain humid evenings, when the streetlights flicker and the cicadas fall silent, a few swear they’ve seen a glint, just a brief flash, like moonlight on patent leather, disappearing around the corner before they can call his name.  And in Sage Pointe, that is enough to keep the legend alive.

In time, the condominium association learned to stop asking where Alonzo had gone.  Life in Sage Pointe moved on, as it always does, yet something in the air felt slightly altered, as though a faint shimmer had been left behind.  The wooden dance floor where he’d once spun the children around seemed to hold a deeper polish, catching the light in ways no one could quite explain.  And every so often, when the dusk settled low and the streetlamps hummed to life, someone would pause mid‑stride, certain they’d caught the scent of pomade or felt the whisper of a beat only Alonzo could hear.  Whether he had slipped away to some quieter corner of the world or simply stepped into the shadows he’d always belonged to, no one could say.  But the memory of that night, and the man whose hair shone like a secret, lingered in Sage Pointe like a story half‑told, waiting forever for the rest of its truth to surface.

 

 

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Wigged Out.

At dinner the other evening at the country club, we sat at a table at the back of the restaurant, nestled in a cozy alcove dimly lit by a warm, flickering candle in a glass votive.  Our wine glasses of glimmered in the low light.  The clinking of silverware and the soft hum of chatter filled the air, punctuated by bursts of laughter from a boisterous group near the bar.

Across from us, a couple sat at the immediate table opposite ours.  They immediately drew my attention with their striking contrast.  She was a petite, frail-looking woman, her presence almost ephemeral, yet undeniably elegant.  Her baggy, sequined blouse sparkled faintly under the muted light, a deep emerald green that complemented the intricate plastic pearls cascading down her neck.  Her white pants, cut high to mid-calf, were snug and showed off her caboose.  Every gesture of hers was deliberate, placing her napkin, adjusting her sleek clutch, moving her wine glass, as though she were orchestrating a performance of refinement.

Across from her sat the undeniable foil to her practiced image.  He was a large man, his frame spilling over the edges of the overstuffed dining chair.  His attire was an amusing affront to hers: a pair of sagging khaki shorts, socks with sandals, and a faded, nondescript polo shirt, the type that might have been gray once but had since resigned itself to a black, lavender, taupe ambiguity.  His bulbous nose was faintly red, matching the ruddiness of his face.

But the pièce de resistance became the highlight of the evening.   It was his hair.  His hair—or rather, what aspired to be his hair was . . .  “different.”  A Just for Men “Darkest Red Brown” masterpiece of a wig was perched atop his head, so incongruous with the rest of his appearance it felt like a punchline to a joke only he didn’t quite get.  The thick, wavy wig seemed precarious, as if it might slide off at the slightest provocation.  It sat too high, too perfect, too ruddy-brown and defying both gravity and reason.

He leaned back in his chair with an air of self-satisfaction, plucking at a breadstick while his lady friend sipped delicately from a wine glass.  They exchanged sporadic words, her responses curt and his booming laugh echoing through the restaurant, prompting raised eyebrows and glares from nearby diners.

They were a spectacle, a living contradiction, a joke, an editorial cartoon.  The woman seemed to be holding onto a bygone era of sophistication, while the man seemed content to bulldoze through it, unbothered by appearances or subtlety.  Yet, there was something oddly appealing about them with a mystery to unravel, a story hidden beneath the surface of their mismatched personas.

 

 

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The Age of Adonis (Part 3).

Part 3 of 3:  The Middle Distance.

There is a peculiar vantage point one gains simply by living in close proximity to other human beings.  Not close enough to know their secrets, but close enough to witness their habits; their triumphs, their peculiarities, their kindness, their small vanities, their authenticity, and quieter graces.  It is the view from the middle distance, where comedy and clarity often arrive hand‑in‑hand.

From this vantage point, I have watched our neighborhood Adonis swell into his mythic proportions, strutting through the hallways and on the neighborhood sidewalks like a man auditioning for a protein‑powder commercial.  His life is lived in bold, glossy strokes of sweat, swagger, and spectacle.  He found the easy way in life to make a dollar, becoming a grifter front and center on the unholy stage of a community fellowship group, sermonizing under the guise of praises and blessings peppered within his readings of scripture verses found in a distorted Bible.  He is the sort of person who seems to believe that if he flexes hard enough – whether it is flexing by quoting scripture or flexing muscles – the world will mistake it for virtue.  At the same time, he soaks in the adulation and attention as one would with water from the River Jordan.

And then, from the same vantage point, I have watched the quiet ones; the door‑holders, the plant‑waterers, the hallway‑softeners moving through the building with a gentleness that neither asks nor demands anything in return.  Their lives are lived in gentle lowercase letters, steady and unadorned.  They are not trying to be noticed, which is precisely why they are.

Modern life, for all its noise, has a way of revealing character in the smallest of moments.  The man who performs goodness loudly often performs it only for the applause and attention.  The man who waters the begonias when no one is looking is not performing at all.  He is simply and unobtrusively being who he is.

Discernment, I’ve learned, is not about judging people harshly.  It’s about seeing clearly and recognizing the difference between shine and substance, between the man who builds his body like an Old Testament golden monument and the neighbor who quietly builds a life of decency.  Humility, too, is not a grand gesture.  It is the quiet refusal to make oneself the center of every hallway and fellowship stage.  To learn what not to become is one of the great lessons of life.

And what about the comedy of modernity?  It’s everywhere.  It’s in the man who cannot lower his arms because his torso has become a personal billboard.  It’s in the fluorescent lights catching a thousand sequins on Cowgirl Betty’s jacket in the middle of a sunny day.  It’s in the way we all, at one point or another, take ourselves far too seriously.

But the deeper comedy is the one that makes you smile long after the moment has passed.  It is this: the people who most want to be admired rarely are, and the people who never think about admiration often end up holding the whole place together.

In the middle distance, the truth becomes clear.  Strength is not measured in inches of bicep or the girth of one’s chest.  Beauty is not measured in lumens of sparkle.  Virtue, the real kind, is almost always quiet enough to miss if you’re not paying attention.

But once you see it, you start noticing it everywhere.

This is the final chapter of three parts.

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The Age of Adonis (Part 2)

Part 2 of 3:  The Quiet Virtues

Not long after watching the rise of our neighborhood Adonis — the sweat, the swagger, the ever‑expanding circumference of his upper body — I began noticing something else in the building.  Something smaller, quieter, and far easier to overlook.

It started with the older gentleman on the fifth floor, the one who always carries a canvas tote bag and walks with a slight shuffle.  I once saw him pause in the lobby to hold the door for a mother wrangling a stroller and two grocery bags.  He didn’t say much. He just nodded, smiled, and waited until she was safely inside.  No flexing.  No performance.  Just a simple act of courtesy that didn’t require an audience.

Then there’s the woman down the hall who leaves small seasonal decorations on her door.  They aren’t elaborate, just a tiny flowery wreath or a quilted, hanging pumpkin door decoration.  She never announces them, never tries to impress anyone.  But somehow those little touches soften the whole hallway, as if she’s quietly reminding the rest of us that beauty doesn’t have to shout.

And of course, there’s the retired engineer who waters the courtyard plants when no one else remembers.  He doesn’t make speeches about community or stewardship.  He simply notices what needs doing and does it, his hands moving with the calm competence of someone who has spent a lifetime tending to things that grow slowly.

None of these people would ever call themselves virtuous.  They would laugh at the idea.  They are simply living their lives with a kind of unselfconscious decency that doesn’t demand or look for applause.

It struck me one afternoon, watching the engineer mist the begonias while Adonis strutted past, that quiet virtues are the ones that actually hold a place together.  Not the loud displays of strength or the curated personas, but the small, steady acts that ask for nothing in return.

The world has always had its Adonises; men who sculpt themselves into monuments and then wonder why no one bows.  But the world has also always had its quiet souls, the ones who keep the doors open, the plants alive, the hallways gentle.

And if I’m honest, it’s the quiet ones who make a neighborhood livable.  They are the ballast, the steadying weight, the reminder that goodness doesn’t need to be dramatic nor a showboat to be real.

In a culture obsessed with spectacle, the quiet virtues are almost radical these days.  They whisper instead of shout.  They build instead of pose.  They endure long after the muscles deflate and the spotlight moves on.

And perhaps that is the real miracle: that in a world full of noise, the softest lives are often the ones that speak the truth most clearly.

Part 3 will be published on April 18, 2026.

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The Age of Adonis (Part 1)

Part 1 of 3:  Reflections on Vanity, Virtue, and the Modern Parade

He was the sort of man who made a living preaching The Word while somehow managing to sidestep most of its demands.  You could see it in the way he carried himself; earnest on the surface, but with a hollowness underneath, like a sermon missing its last page.

When I first met him, he was almost aggressively unremarkable: small, soft around the middle, a crew cut that looked like it had been administered by someone in a hurry, and some type of cologne that would gag a maggot.  He told me he had left the Church and was now preaching at a non‑denominational fellowship down the road.  He quoted Scripture with the enthusiasm of someone who had just discovered the footnotes and wanted everyone to know and be impressed.  Truthfully, it felt less like devotion and more like a performance of mental gymnastics meant to impress.  They didn’t.

In our brief conversations, he mentioned he was a former drug user, now clean, and that he was “still learning” and had “a long way to go” in understanding The Word.  That part, at least, I believed.

But then something shifted.

Slowly, his upper body began to expand.  It was first subtly, then alarmingly.  I would see him at the neighborhood gym, or returning from it, sweat pouring off him in rivulets that perfumed the condominium hallways with a scent that could only be described as fusty.  Other days, I’d spot him leaving Atomic Health Club in town, towels slung over his shoulder, his wet T‑shirt clinging to him like a second skin.  He would leap into his sports car with the flourish of a man starring in his own music video and drive off like a bolt out of the blue.

By summer, the transformation seemed complete.  One afternoon, he and his family walked down the hallway on their way to the swimming pool. “Walked” is generous—he lumbered, unable to lower his arms fully because his torso had grown to mythic proportions.  He wore only baggy shorts (I cannot call them trunks), his thick thighs rubbing together and his calves looking like chicken legs.  It looked like it hurt him to move his legs, and for that moment I felt sorry for him.  His pre‑tween daughter wore a bikini so revealing it made me blink twice in embarrassment.  His wife and son, ironically, were dressed modestly befitting a church picnic.

His upper body had become enormous, his thighs still pronounced, his calves still comically thin.  He reminded me of a Greek statue carved by an artist who ran out of marble halfway through.  It was unsettling, the kind of physique that makes you instinctively step aside in case it topples or explodes.

He strutted through the building with the air of a man fishing for admiration, or perhaps for something more.  Someone once told me that people who leave one addiction often find another to replace the high.  Maybe this was that; maybe it wasn’t.  I’m not his confessor; I can only pray for him.

What I do know is this: the greater his muscles grew, the quieter his preaching rang.  There was a disconnect between the man he proclaimed himself to be and the man he was becoming, between the humility of the Gospel and the vanity of the mirror.

And perhaps that is the real caution of the Age of Adonis: when the body becomes the altar, the soul is left without a place to kneel and worship the one true God.

Part 2 will be published on April 16, 2026.

 

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